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Heritage of the Invisible II

by Aquiles Navarro & Tcheser Holmes

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SURVIVINGtheDEEPtrip [T]his is a truly special gift; for the most deepest realm of conscience - we, who have our ears and minds asphyxiated every day to commercial garbage....
[T]his is the wax/digital/cd/any-format manifestation of 2021+
Peace - Love, & Goodluck to all future fans :) Favorite track: M.O.N.K (Most Only Never Knew).
j_alan thumbnail
j_alan Beautiful plantain vinyl, wow! The sound on vinyl is superb as well, an excellent pressing that is clean and the music really pops out. Experimental and exciting music. Favorite track: A Night in NY.
franznardi thumbnail
franznardi International Anthem is one of the best label of 2020. This work is just RAD
guska2 thumbnail
guska2 I was/am impressed by the enourmous bandwidth of the album (plus: it's entertaining as hell!)
pissin in your elevator
pissin in your elevator thumbnail
pissin in your elevator This is my top jam of the year.
  • Record/Vinyl + Digital Album

    *Limited Edition* 140-gram "Fried Plantain" color vinyl LP (pressed by Pallas in Germany) inside a heavyweight matte jacket, plus insert sheet with photo & credits, IARC obi strip and dome patterned inner-sleeve.

    ***Sold Out int the US. Remaining copies ship from the UK***

    Includes unlimited streaming of Heritage of the Invisible II via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Record/Vinyl + Digital Album

    140-gram black vinyl LP (pressed by Pallas in Germany) inside a heavyweight matte jacket, plus insert sheet with credits & photo, IARC obi strip and dome patterned inner-sleeve.

    *Now Shipping from the EU*

    *Ships from US, UK, & EU*

    Includes unlimited streaming of Heritage of the Invisible II via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    Purchasable with gift card

      $24 USD


  • Compact Disc (CD) + Digital Album

    Shiny compact disk in deluxe 4-panel digipack.

    Sold out in the US. Remaining copies ship from the UK.

    Includes unlimited streaming of Heritage of the Invisible II via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    Purchasable with gift card

      $12 USD or more 


  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $9 USD  or more


plantains 05:10
Pueblo 02:02 video
Father 02:49


Telepathic Afro-Caribbean improvisational trumpet-and-percussion duo Aquiles Navarro & Tcheser Holmes are longtime friends, collaborators, and tireless hustlers on the creative music scenes of New York City.

"Heritage of the Invisible II" follows Navarro and Holmes’s rise to prominence as members of free jazz collective Irreversible Entanglements. In March of 2020 in "The Nation" writer Marcus J. Moore said "Irreversible Entanglements’ fearless music takes to task the police, American politics, capitalism, and racism." The revolutionary ethos that drives Irreversible Entanglements is no less present in Navarro and Holmes’s duo work, though their duo finds them much more wholeheartedly and jubilantly embracing their Latin and Afro-Caribbean foundations.

Aquiles Navarro was born in Toronto during a time of great, political upheaval in his family’s native home of Panama. Dangers surrounding the reign of Manuel Noriega and the subsequent U.S. invasion of 1989 prompted the Navarro family’s exit, returning years later to Panama City in 1997. Latin folkloric music was fastened deeply to the family paradigm. After studying with Panamanian trumpeter Victor “Vitin” Paz (Fania All-Stars) and Panamanian-American composer/saxophonist Carlos Garnett (Miles Davis, Pharoah Sanders), Navarro moved to Boston to study at the New England Conservatory (NEC). Before the semester had even begun, a friendship had kindled between him and another incoming new student, Tcheser Holmes.

Since a young age, Tcheser Holmes naturally wove into the fabric of a tight-knit Pan-African community in Brooklyn centered around the spiritual organization, Ausar Auset Society, and his family’s dance company, The Bennu Ausar Dancers. From early on, Holmes remembers “playing and viewing music purely as a source of celebration and achievement.” As a teenager he enrolled in the Manhattan School of Music’s Precollege for pre-conservatory training, and eventually made his way toward NEC.

After their tenure at NEC, both musicians relocated to New York City. “In New York, I've been a working musician since day 1,” recalls Navarro. "Tcheser and I played all over the city, from Uptown to all over Brooklyn, often booking our own gigs." Dance clubs and subway platforms, The Bowery Poetry Club, the Latin Jazz Big Band at the Nuyorican Poet’s Cafe, and Roberto Roena y Su Apollo Sound in the Bronx – the two musicians developed a wide creative range. “We got familiar with a system where the rhythm is quantified,” says Holmes. “But I feel like we always remained ‘children’ in terms of viewing music. Kobe said ‘Be a Kid.’ We never needed to validate the process.”

In Summer 2014 they traveled to Panama together to perform and record a set of duo improvisations, which they digitally self-released later that year. Back in Brooklyn in 2015, Navarro and Holmes performed as a duo at a Musicians Against Police Brutality event, where they shared the stage with the trio of Camae Ayewa (aka Moor Mother), Keir Neuringer and Luke Stewart. The two groups made fast friends, and shortly after, came together to form the collective quintet Irreversible Entanglements. With Irreversible Entanglements they recorded two critically-lauded albums ("Irreversible Entanglements", released 2017, and "Who Sent You?", released 2020) across several years of growth and international touring (including performances at Pitchfork Music Festival in Chicago, Le Guess Who? in Utrecht, NL, the Barbican in London, and the Smithsonian in Washington, DC).

In the Fall of 2019 Navarro and Holmes coalesced around the idea of composing new, expanded duo music, and booked two after-hours sessions at Brooklyn’s S1 Studios. “Each tune has a compositional background to it, but improvisation and the telepathy between us remains the main catalyst,” notes Navarro. From this open map, the duo layered samples and electronic elements from Juno 106 and Moog Grandmother synths over their acoustic improvisations, overdubbed contributions from poets, vocalist and instrumentalist friends, and added field recordings of themselves in conversation. To sculpt the mass of sounds they commissioned ada adhiyatma (aka Madam Data, a Philadelphia-based composer/electronicist who they’d met through a joint collaboration with Moor Mother) for a final mix. The resulting album – "Heritage of the Invisible II" – reveals Navarro and Holmes stepping firmly into the limelight of progressive music-making.

The tracks flash by in a rapturous onslaught, crystalizing in incantations by Spanish poet Marcos de la Fuente (an apocalyptic fever dream on “Initial Meditation”), vocalist Brigitte Zozula (the bliss of bustling nightlife on “A Night in NY”), Navarro’s mentor and collaborator Carlos Garnett (the banality of economics on “$$$ /// billete”) and their own musings on friendship and community (the stoned soul picnic of “Plantains”). Of the album’s de facto anthem “Pueblo,” Navarro says “it’s a celebration of life, the coming together of the people, el pueblo, a celebration of who we are, where we come from, it’s our pueblo, our people, a feeling of openness, hope, and a future of unity from el pueblo, the people.” Identifying as active listeners and audience members as well, Navarro and Holmes step back on “M.O.N.K (Most Only Never Knew)” to shine a light on the solo improvisation of pianist/composer Nick Sanders. On the 8-minute duet “NAVARROHOLMES,” the two players reach a summit as they face off in spirited alliance, conjuring visions of legendary free jazz telepathics – Braxton and Roach, Coltrane and Ali, Cherry and Blackwell.

Navarro and Holmes never idle on "Heritage of the Invisible II," choosing instead to ponder their origins in a devout charge of ecstatic cooperation. Meditating on the unseen constructive forces of culture and rhythm as a cadence encoded in one’s heritage, with "Heritage of the Invisible II" they share a volume of their story in rich color – a brilliantly imagined testament to generations of memory, creation and existential joy.

- bio by Joe Darling


released October 23, 2020

Aquiles Navarro - trumpet, percussions, imagination, voice (tracks 2, 8 & 10), moog grandmother (tracks 1, 3, 4, 7 & 10), juno 106 (track 6), upright piano (track 8).

Tcheser Holmes - drums, percussions, imagination, voice (tracks 2, 8 & 10)

Marcos de la Fuente - voice (track 1), imagination
Nick Sanders - upright piano (track 5), juno 106 (track 9), imagination
Ricardo de León - Panamanian mejoranera (track 3), imagination
Brigitte Zozula - voice (track 4), imagination

Recorded October 30th & November 2nd, 2019, at S1 Studios, Brooklyn, NY.

Voices from track 2 & 10 are taken from interview/performance done for Live Constructions Series show, recorded April 23rd, 2017, at WKCR, New York, NY.

Voice of Carlos Garnett on track 8 is taken from an interview done by Aquiles Navarro at Carlos Garnett’s home in Panamá City, Panama, 2013.

Engineered by Graydon Fritzsching & Marlon Williams.
Mixed by ada adhiyatma.
Mastered by David Allen.

Cover Photo by Denis Batuev.
Design by Craig Hansen.

Produced by Aquiles Navarro & Tcheser Holmes.


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The IARC mission is to make positive contributions to the changing state of the music industry, and to vitalize the demand for boundary-defying music by presenting unique sounds in appealing packages to untapped audiences.
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